See R. R. Reno's essay, "Brain Food," in First Things, February, 2010.

            #37

 The Modern Academic’s Prayer

Lord, grant me knowledge,

But let it be neat;

Let it be packaged

Like socks on my feet.

 

Let it be something

I can carry around

And use for my pleasure

When others abound.

 

Let it be something

That fits in my pocket

Or something to wear

Like a gem in a locket.

 

Lord, let me know,

But not too much,

Lest Truth come a calling

And I lose my crutch.

Lick Lick Lick

            #36

      Frollie, the Licker

I lick his leather briefcase,

I lick the hardwood floor;

I lick the hand that feeds me,

It’s licking I adore!

 

I lick the Sunday paper,

I lick the bathroom door;

I always lick my furry feet,

It’s licking I adore!

 

I lick until the flavor’s gone,

And then I lick some more;

My eyes roll back into my head—

It’s licking I adore!

Howls Howls Howls

            #35

          Trailer

When you can’t fly any farther

You’ll know you’re halfway there!

 

The owls of Ga’Hoole

Give me the creeps

With their fuzzy round faces

And sharp little beaks!

 

When they can’t fly any farther,

I find I just don’t care,

And I call upon those Guardians

To knock them from the air!

 

When you can’t fly any farther

You’ll know you’re halfway there!

                   Bummer!

This world and the next

            #34

      I Could Die…

I could die tomorrow

If it wasn’t for three things

That fill my heart with quiet hope

And sharp eternal longings:

 

The tiny blue plant

That grows by the drive;

The joy in my little dog

When he sees me arrive;

The love in the Other

Who’s glad I’m alive.

 

I could die tomorrow

If it wasn’t for these things

That fill my heart with quiet hope

And sharp eternal longings.

A blue surprise

            #33

      Blue Intensity

I have never seen blue on a flower

As intense as the blues in our yard

That grow by the side of the driveway—

Plumbago, they're called on their card.

Comments:

I was going to ask my wife what they were called since they were truly an arresting color, when I noticed a nursery card planted in the ground near them.  Plumbago—It sounds like a physical ailment and so the computer wanted to change it.  I, however, prevailed.  They have a Latin name too: Ceratostigma Plumbaginoides, if I copied it correctly—tiny, intensely blue flowers that make an excellent border flower.  And so they do. 

I looked them up on the Internet, of course, and found a delightful picture of them that captured some of their full blue intensity. 

Eden revisited 2

              #32

         Unmended

The Voices all were silent now,

Eve's plaint a small soft whisper;

Each touch of wind upon their skin

Brought to mind their deadly sin

As the evening breeze grew crisper.

Eden revisited

               #31

               Exile

With Paradise behind them

And the Angels all ascended,

Adam walked ahead of Eve,

Their brokenness unmended.

A Dionysian moment?

                #30

      Made in His Image?

Suppose that God is not like us;

His Good is really our ill.

One blinding glimpse of His being

Could more than a lifetime fulfill.

Comments?

The meaning of the two preceding poems depends on "dance" and "waiting": one, a metaphor of order and two, an action verb of purpose attributed to an inanimate object.  In this case the two words reveal, I think, the narrator's cosmological perspective regarding the action of the bird eating a crabapple in mid winter.

Or

             #29

      Snatch & Grab

Rory, the red-breasted Robin,

Danced down the thin icy limb,

Seeking to snack in mid-winter

On the crabapple waiting for him.

 

         

Vampires all

        #27

      Closed

Thank God there are no Sookies

To plague our nights and days.

Our thoughts are ours and ours alone

To guide our lonely ways.

Response: I-75 going south

We seem to have inspired the poet.  Given his last effort I was beginning to think he was sleep walking down the highway of life.  Apparently he is awake after all.  In #25 the critic can see where the poet is standing without much effort.  In #26 the same can't be said, and I think the poem is one of the writer's better efforts. 

Given this poem one might wish he would tackle asclepias tuberosa, the butterflyweed, also an I-75 plant.

Logic

Given the distinction in the last bit of verse, anything praised in the vegetable kingdom (presumably) is a flower, while any growing thing not praised (admired) is a weed.  Thus ironweed (so named for its hard stem, according to my sources) is a weed if it's not admired and a flower if those lovely purple blooms earn praise for the plant.  One must conclude here that the distinction is neither a good one, nor true.  Yet, the verse seems to work.  It has rhythm and rhyme and it teases us with an interesting distinction, eventhough the distinction does not hold up under serious examination--well, under examination.  There is however, an underlying concern here as well: what is the relationship between art and truth?

If we approach this tiny bit of verse from the perspective that we have a person thinking here in the verse, then the poem allows us a glimpse into the narrator's mind.  In that case the poem's level of truth doesn't reside in  its assertions about weeds and flowers but about its representation of the narrator's vision.  This narrator sees the world in this somewhat simplistic fashion: any plant praised is a flower; any plant not admired is a weed.  The real truth of this poem, so called, is then the failure of the narrator's vision.  He or she has not looked closely at the natural world of vegetation to see what it really means, which, I would argue, is what art is really about finally.

There is no ironweed in the verse.  The narrator really isn't interested apparently.

Astronomy 101: Heavenly Movements

                        #24

                  Moonshine

                26 August 2010

The waning gibbous moon strode high

Through the midnight moon-washed sky,

While Jupiter, staid beneath her glory,

Let his regal Consort reveal her regal story.

Malaprops or puns, perhaps

            #23

    Not a Dachshund

My pet rock knows three complex things:

Like how to sit and stay;

Why quartz is never taken

For granted or for clay;

Why feldspar is so igneous

That one suspects foul play!

My pet rock knows three complex things,

So I gave her a sobriquet.