In the photo of the Galt House restaurant, the tables are set with the heavy, white square plates, and the folded black rectangles, well, you probably guessed, those are the linen napkins, almost big enough to use as bath towels. That was a "before I forget entry," before I forgot. And there it is:
Association produces unexpected results. 4:30 a.m. I started to make this morning's coffee 3 different times. 3 different times I didn't finish. I cleaned the old grounds and rinsed the pot; I left the top of the maker up and did something else, I have forgotten what; later, I saw the top up, managed to get a filter down this time, found it later with the filter down and got the coffee measured and in; wandered off on another mission and, Of Course, was surprised to find the coffee in, the top up, and no water in the machine. Four attempts. Memory slog. Association.
Before I started the dishes, I wanted to put some music on. I opened my iPad and decided to check the Webshots photo of the day which arrives early. The photo had beautiful horses apparently conversing at their fence rail. I checked the email, got caught in a time loop there because I tapped the mail icon instead of mail menu. Let's just say someone will be surprised to find me answering messages that I probably answered once or twice before. Escaping the time loop, I went to the kitchen and started the dishes. Of Course I forgot the music.
While doing the dishes, I started thinking about the photo. The horses reminded me of the Houyhnhnms (Winums, two syllables), the race of rational horses that Gulliver encounters in the fourth book of his travels. From the perspective of the sink, I also immediately thought of King Lear (1601), who wouldn't, Shakespeare's incredibly rich and profound tragedy about an old king who does not understand real love and who misuses his reason in an attempt to get what he wants, that is, his children to love him.
Gulliver (1730) epitomizes the radical change in human thinking and perspective that took place from the seventeenth century to the eighteenth century. In the fourth book of the Travels, Gulliver encounters two races, the Houyhnhnms, the rational talking horses, and the Yahoos, a race of disgusting creatures who have human bodies but are driven only by their passions. In a sense, these two races are an externalization of a conflict that has been present in Gulliver since book one, what T. S. Eliot once called a dissociation of sensibility.
Actually, the same dilemma is present in Lear too, but Lear inhabits a tragedy; the tragic hero has the capacity to learn through the action in his world. Gulliver inhabits a brilliant satire; unfortunately characters in satires tend to get stuck in their enormous flaws.
Associative jump!
A contemporary example. Mary has been watching Frasier on Netflix. She is on season 7, Heaven help us. I thought the writing in the first two seasons of Frasier was extremely good. The problem for me is that the writers seem not to respect the intelligence of their character or of their actor, Kelsey Grammer, or they rely on him to do all the work. In season one, Frasier would meet a lovely woman, and being incredibly full of himself (flawed humanity, pompous, egotistical, but invariably funny), by the end of the episode you could bet that the woman would discover the flaw through Frasier's own behavior, and banish him from her life forever. In season seven the exact same plot action is still taking place. This beautiful woman was a lawyer who had handled Nile's (Frasier's brother) divorce from his second wife, not the never seen but always felt, intolerably demanding Maris (as in horse?), but Mel, the demanding new wife of 3 days. The lawyer's bill was very high; Frasier sent her an unpleasant email, unpleasantly demanding an accounting; Frasier, of course, regretted the email as that evening the circumstances of the bill became clearer and her clothes became fewer; never mind, he got to her computer having told her his email was a love letter; he pretended to be reading it to her, he accidentally deleted it, nudge nudge, all was well. If you think so you have not been watching. Frasier had bumbled it, not really deleted it; she read it. Goodbye Frasier, out of her life forever! Seven seasons: the same plot and Frasier is the same pompous blowhard who is also still funny, though much less frequently. We are in the world of satire here too. Mary still loves the show. I think the writers got lazy and that they did not really respect their character; I find most of the episodes too painful to watch. The character is not the only one stuck in his flaws.
Associative jump! (I had to complain to someone; water off a duck's back to someone here; she likes what she likes!)
Returning to the worlds of the earlier literature, the radical changes in thinking that took place between Shakespeare's time and Swift's time obviously involved numerous elements, among them the rise of science as we know it today, the discovery of new worlds, literally, the invention of the telescope and the microscope, new ways of thinking about the human predicament. The forces at work were incredibly complex, and I cite the above three simply to suggest the symbolic way the turmoil at the center of human life entered its most brilliant literature. Change was underway in 1600; change had been solidified in a significant way by 1730. Tragedy became the dominant literary form in the age of Shakespeare when the changes, I would suggest, were first felt: Macbeth, Lear, Hamlet, Othello; Marlowe's Dr. Faustus, etc. By the eighteenth century, the Age of Reason, the world had changed forever in a profound way. If you think about the first two books of the Travels, and step back a bit, what you see is a very big man in the midst of very little people where his bigness is a cause for both exhilaration and humiliation; in the second book the perspective is reversed and you see a very little man in the midst of very big people who horribly abuse his sensibilities. In another words as they like to say in our age, "Everything is relative." Not true. Not true then and not true now, and that is at the heart of the Travels brilliance. Some things are relative, obviously; however, something isn't and the text, by the fourth book, reveals exactly what that absolute is, though, of course, Gulliver being a hero of sorts in a satire never sees it which is why, back in England, he is out sleeping with his horses in the stable (Ha!) rather in bed sleeping with his wife in the end.
Perspectives from the sink. As I said else where, having a head full of literature lets me think about it even when the texts are not before me. Tragedy/satire sort of jumped into my head this morning (I crawled into bed at 7), Lear and Gulliver. In Lear you can see what is danger of being lost and exactly how, the two wicked daughters. Is their wickedness really relative? With Gulliver the absolute seems to have vanished out of his world; no one sees it, almost. Or there is a new absolute. Logicians to the rescue! Yet it is the nature of the absolute that it is eternal and unchanging, no matter how many say it ain't so. Check Kierkegaard's Fear and Trembling, among other things.
One last thought: if you want to see what the universe looked like for one moment when the world was perfectly centered, read the Divine Comedy (1300). Lear (1601) reflects the danger of losing that fixed and profound perspective; Milton's Paradise Lost (1660) for an in some ways unsuccessful attempt to hold on to it, Gulliver (1730), a world where it has vanished almost completely. For a modern perspective on that loss, Eliot's Wasteland (1920) or The Four Quartets. (All the dates are approximate, depending upon my increasingly faulty memory. Lear may have been a bit later. Well, I know the centuries are accurate!)
They let me teach these things for over 50 years! I started in graduate school (I apologize to those students, though I always did the best I knew, which wasn't really very much, actually then or now, even that morning when I went to my Freshman Comp class terribly hung over, I was probably 24, I can still remember the headache) when I was just 23. Well, once in 51 years can't be that bad, can it? Or was it twice? Hmm.
Amazing! When I went to the sink very early this morning, 3a.m. perhaps, I had no idea that this essay of sorts would eventually pour out. Associative dissonance?